A UNIQUE COLLECTION IN FRANCE
This collection of paintings is the most important in the capital, as much by the talent of the artist as by the number and size of the canvases: up to 5 m long and 3.3 m high!
Why Saint Augustine?
Because he was the saint patron of the order of monks who occupied this church. He has a chapel dedicated to him, opposite the altar of the Virgin.
These 6 pictures were painted by Carle Van Loo (1705-1765) between 1753 and 1755 at the request of King Louis XV in thanksgiving for the benefits obtained by his ancestors and himself through the intercession of Our Lady of Victories.
2. Saint Augustine preaches before Valerius, bishop of Hippo
Saint Augustine having been ordained a priest, the bishop of Hippo (Algeria) attached him to his Church.
The Latin language was then in use in Hippo, which was under Roman domination. Valerius, Greek by birth, spoke this language with great difficulty. Knowing Augustine’s talent for oratory, he had him replace him in the ministry of the Word. This was the first time in the Western Church that a priest was asked to preach before a bishop.
Augustine gave his first speech on the occasion of Easter 391. Valerius, at the head of his clergy, is seated before Augustine who is preaching from a platform. The old bishop listens with satisfaction and admiration to the young priest.
At the foot of the platform, a scribe is collecting Augustine’s words.
4. Saint Augustine facing the Donatists
Donatus, bishop of Carthage, was the instigator of a schism that troubled Africa for more than a century. In order to put an end to this deep-seated evil, the emperor Onorius asked for a conference to be held between the Catholic and Donatist bishops.
In 411, 280 Catholic bishops and 279 Donatist bishops met in Carthage. Seven bishops were chosen from each side to discuss the points that the Donatists refused to admit. Augustine was elected first among the Catholics.
At the end of these exchanges, the Catholics were declared right. This success was partly due to Augustine: he stood out among all the other bishops by the science and wisdom of his answers as well as his eloquence.
Van Loo was able to highlight the bishop of Hippo who has the main part in this conference. The saint exposes with nobility his opinion. Despite the violent gesture of his interlocutor, the latter feels that he is defeated by Augustine’s luminous argumentation.
The figures are depicted standing because, according to the account of the conference, the Donatist bishops refused to sit down.
6. The translation of the relics of Saint Augustine to Pavia (Italy) in 722
Saint Augustine is buried in Hippo in the church of Saint Stephen.
During the 5th century, the king of the Vandals condemned several bishops to exile. They then withdrew to Sardinia (Italy), taking with them the relics of Saint Augustine.
In the 8th century, the king of the Lombards bought these relics for a considerable sum. As soon as he knew that they had arrived in Pavia, he went to that city. Lords, bishops, priests and a large crowd accompanied him.
After kneeling in front of the shrine, he left all marks of royalty and followed the relics, with uncovered head and bare feet, that the bishops carried on their shoulders to the cathedral of Pavia.
Next to the king stands a page holding his scepter and diadem.
The history of the Church adds that during the translation, several sick people who were made to touch the relics were cured. The painter did not forget this detail: in the lower corner of the painting, we see a cripple who contemplates the shrine with hope and begins to feel the effects of this holy vicinity.